Within her painting, Lek incorporates the dichotomy of both interior and exterior. They are multidimensional compositions of oil, pastel, and nail polish. Populating her images are figures of her family, domestic objects, and oftentimes disembodied hands. The family members depicted are portrayed in Khmer garb, a nod to generational traditions that are carried through immigrant families. For Lek, the generational traditions include trauma that stems from a family that escaped the Khmer Rouge. The hands represent invisible forces that push and compel— the diasporic families both twisting to t within a new culture, and surrounding oneself with the familiar and the old world.
Join us at The Javits Center for this year’s Armory Show, booth P25.